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Das letzte Abendmahl
Das letzte Abendmahl
Albrecht Dürer
1510
Joachim und Anna unter der Goldenen Pforte
Joachim und Anna unter der Goldenen Pforte
Albrecht Dürer
1504
Die Geburt Mariens (Die Wochenstube)
Die Geburt Mariens (Die Wochenstube)
Albrecht Dürer
um 1503/1504
Georg Roggenbach
Georg Roggenbach
Hanns Lautensack
1554
Selbstbildnis
Selbstbildnis
Rembrandt Harmensz. van Rijn
Landschaft mit zwei Frauen am Fluss
Landschaft mit zwei Frauen am Fluss
Alexandre Calame
1840
Ruine eines griechischen Tempels
Ruine eines griechischen Tempels
Domenico Amici
Seifenblasende Kinder
Seifenblasende Kinder
Daniel Berger
Kampf der Bilder
Kampf der Bilder
William Hogarth
Kronen, Bischofsmützen und Zepter
Kronen, Bischofsmützen und Zepter
William Hogarth
1754
Sarah Malcolm
Sarah Malcolm
William Hogarth
Frontispice zu Joshua Kirby's "Perspective of Architecture"
Frontispice zu Joshua Kirby's "Perspective of Architecture"
William Woollett
Zwei Damen mit Sonnenschirm
Zwei Damen mit Sonnenschirm
Florent Nicolas Crabeels
1853
Zwei Damen mit Sonnenschirm
Zwei Damen mit Sonnenschirm
1853
Carneval de 1830
Carneval de 1830
Victor Adam
1830
- Je ne puis pas en croire ma lorgnette [...]
- Je ne puis pas en croire ma lorgnette [...]
Honoré Daumier
18.10.1851
Les Russes façonnant [...]
Les Russes façonnant [...]
Honoré Daumier
24.04.1854
Hymen und Cupido
Hymen und Cupido
William Hogarth
"A Part of Linclouden Abbey"
"A Part of Linclouden Abbey"
Samuel Alken
1790-1792
"Castle of Sterling" (Approach to the castle of Sterling)
"Castle of Sterling" (Approach to the castle of Sterling)
Samuel Alken
1790-1792
"The River Tummel"
"The River Tummel"
Samuel Alken
1790-1792
"The Pass of Killicranky"
"The Pass of Killicranky"
Samuel Alken
1790-1792
"Arthur's Seat" (Approach to Edinburgh. I do not think the appearance of Arthur's Seat, and the rocks about Edinburgh, which present, at a distance, the appearance of a cap of maintenance, is overcharged in this print.)
"Arthur's Seat" (Approach to Edinburgh. I do not think the appearance of Arthur's Seat, and the rocks about Edinburgh, which present, at a distance, the appearance of a cap of maintenance, is overcharged in this print.)
Samuel Alken
1790-1792
Print to illustrate a mode of fixing the hues of nature
Print to illustrate a mode of fixing the hues of nature
Samuel Alken
1790-1792
"Old Bridge at Hawick" (A Resemblance of the Picturesque Bridge at Hawick)
"Old Bridge at Hawick" (A Resemblance of the Picturesque Bridge at Hawick)
Samuel Alken
1790-1792
"Blackness Castle" (Blackness-castle; in which something of the indistinct appearance, which it made after sunset, is aimed at)
"Blackness Castle" (Blackness-castle; in which something of the indistinct appearance, which it made after sunset, is aimed at)
Samuel Alken
1790-1792
"Dunbarton-Castle at a Distance"
"Dunbarton-Castle at a Distance"
Samuel Alken
1790-1792
"Frith of Forth at Hopeton House" (The frith of forth from the lawn before Hopeton-house; where it takes the form of a lake)
"Frith of Forth at Hopeton House" (The frith of forth from the lawn before Hopeton-house; where it takes the form of a lake)
Samuel Alken
1790-1792
"Bridge over the North-Loch near Edinburgh-Castle"
"Bridge over the North-Loch near Edinburgh-Castle"
Samuel Alken
1790-1792
"Loch-Leven Castle" (The general idea of the scene only is aimed at. The form of the castle is not exact; and the mountain beyond it, is not so broken as it is represented here; but in endeavouring too acurately to correct little impropriety in plates of this kind, I found was here great danger of losing the spirit of the whole.)
"Loch-Leven Castle" (The general idea of the scene only is aimed at. The form of the castle is not exact; and the mountain beyond it, is not so broken as it is represented here; but in endeavouring too acurately to correct little impropriety in plates of this kind, I found was here great danger of losing the spirit of the whole.)
Samuel Alken
1790-1792
"Mountains at Ferney" (A Perspective View of the Mountains at Ferney)
"Mountains at Ferney" (A Perspective View of the Mountains at Ferney)
Samuel Alken
1790-1792
"Loch-Tay at Kenmore"
"Loch-Tay at Kenmore"
Samuel Alken
1790-1792
"Gretna-Green" (Gretna-Green. The church (which is rarely, I believe, if ever, used for the celebrations of marriages) does not stand so high as is here represented)
"Gretna-Green" (Gretna-Green. The church (which is rarely, I believe, if ever, used for the celebrations of marriages) does not stand so high as is here represented)
Samuel Alken
1790-1792
"Queensbury-House"
"Queensbury-House"
Samuel Alken
1790-1792
"View of Entrekin"
"View of Entrekin"
Samuel Alken
1790-1792
Landhaus zwischen Bäumen
Landhaus zwischen Bäumen
Arthur Evershed
La Seine au Bas-Meudon
La Seine au Bas-Meudon
Félix Bracquemond
Charles Meryon
Charles Meryon
Félix Bracquemond
1853
Trembles au bord de la Seine
Trembles au bord de la Seine
Félix Bracquemond
Plage de Villerville
Plage de Villerville
Charles Francois Daubigny
Ingrate patrie [...]
Ingrate patrie [...]
Honoré Daumier
15.03.1840
Eine Gesellschaft von Damen mit dem Künstler
Eine Gesellschaft von Damen mit dem Künstler
Daniel Nikolaus Chodowiecki
1758
Herzog Ulrich von Württemberg
Herzog Ulrich von Württemberg
Hans Brosamer
um 1535
Athen, Akropolis, Korenhalle des Erechtheion
Athen, Akropolis, Korenhalle des Erechtheion
1880
Collage historischer Aufnahmen in der Fotothek
Collage historischer Aufnahmen in der Fotothek
um 1900
Rom, Forum Romanum und Capitol von Westen
Rom, Forum Romanum und Capitol von Westen
bald nach 1906
Rom, Suovetaurilienrelief auf dem Forum, im Hintergrund Saturntempel und Tabularium
Rom, Suovetaurilienrelief auf dem Forum, im Hintergrund Saturntempel und Tabularium
bald nach 1906
Rom, Forum Romanum von Osten; links zwischen Säulen der Faustinatempel, am Horizont der Titusbogen
Rom, Forum Romanum von Osten; links zwischen Säulen der Faustinatempel, am Horizont der Titusbogen
bald nach 1906
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